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Explanation: The key signature is the next to last flat for key signatures of flats. This is the key to E flat since E flat in the main signature is the next to last flat. Its key signature has two flats.

Its relative minor is G minor and its parallel minor is B-flat minor not enharmonically A-sharp minor. Ab is a black key on the piano. The next note down from Ab is G.

The next note up from Cb is C. There are no black keys between Cb and C. Today's chord is G-sharp, which is more commonly known by its enharmonic equivalent , A- flat. Because G-sharp has eight sharps meaning one of the notes, F, has two sharps, making it actually a G it's considered a theoretical key. Same series of notes, but a different name, notation, and key signature. Again, the basic rule for identifying these signatures is: For sharps: take the last sharp to the right and go up one.

This happens to correspond to the second to the last flat in the key signature except of course for F, with only one flat. A key signature is a collection of every accidental found in a scale.

To demonstrate this, we will use the key of C Minor, which has three flats. Instead of writing a flat next to every E, A, and B; we can simply add a key signature to the beginning of the measure. That brings the Total so far to 8. Our Total is now Since there are 12 major scales, there are 12 major keys. Likewise, there are 12 minor scales and, therefore, 12 minor keys.

So there are 24 keys all together. Three of the major keys can be named 2 different ways — one way with sharp note names, and the other way with flat note names. A helpful learning device to remember the order of keys in relation to the order of sharps and flats is the circle of fifths.

Note the overlapping keys at the bottom of the circle. While it is preferable to memorize key signatures, use the following method to determine major key signatures based on the sharps or flats in the key signature.

For key signatures withs sharps : Go up a half step from the last sharp to find the key. This is to reflect the fact that all note positions on the bass clef are one line or space lower than the treble clef. For example, on the treble clef, note E 2nd note shown occupies the 1st space from the top, whereas on the bass clef, the same note is the 2nd space from the top. Equally, on the treble clef, note D 4th note shown occupies the 2nd line from the top, whereas on the bass clef, the same note is the 3rd line from the top.

The bass clef symbols are dropped to the next position for sharp -based key signatures in exactly the same way. Have a look at C major key signature for details. The above staff diagrams show only one possible staff position for each note letter A to G, on each clef. The specific note positions used to identify each note A.. G above are just a convention used to group the key signature symbols neatly around the centre of the staff, but any symbol actually applies to that note in all octaves on a given clef.

This means that for the first sumbol, Bb , although the note and symbol are on the middle line of the treble clef, the symbol really means ' Flatten any B-Flat note supplied on any octave in this clef, not just the B-Flat pitch on this line'. In reality, any note could occur in multiple octaves ie. The key signature for this scale is shown below, with the key signature symbols in the correct order as per the phrase in the above step, and the note names in the same order as shown in Step 2.

E-flat major key signature The Solution below shows the Eb major key signature on the treble clef and bass clef. Solution 1. E-flat major key signature This step shows the Eb major scale key signature on the treble clef and bass clef. Bass Clef. Treble Clef. Lesson steps 1.



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